In the previous installment of Mining for Goldsmith I took a look at film composer Jerry Goldsmith’s work for the Western genre. One genre that was always cranking out movies is the conspiracy and espionage genre. Some of these were deadly serious, and others were more lighthearted and even a bit silly.
In Like Flint (1967)
Capricorn One (1978)
Another wonderful rerecording for Prometheus records of Goldsmith's score, this time from the forgotten film The Salamander.