In an interview with director David Lynch he mentioned that 1992 was probably one of his lowest points of his career. The film he spent so much time and effort on completely bombed with critics and audiences. It wasn’t that people didn’t like Twin Peaks: Fire Walk with Me. They HATED it. You read some of the reviews from the time and there is some real anger in those words. People took the film very personally. They were angry at the man who forced them to look into a very disturbing and dark place.
When a young woman is murdered in the pacific northwest the FBI sends one of their best agents to investigate… but it is not who you think. Agent Chester Desmond (Chris Isaak) and his partner Sam Stanley (Keifer Sutherland) start to investigate the murder but find that it may be tied to some bizarre happenings that the FBI is already aware of. Before Desmond can make obtain a solid lead he vanishes and the case goes cold.
We then jump forward a year to follow Laura Palmer (Sheryl Lee) through the final days of her life. Laura is a troubled girl, popular at school and friendly to everyone in Twin Peaks. But she is also addicted to cocaine and will often degrades herself sexually. At home she is being raped by a thing she calls BOB (Frank Silva), who has been abusing her since she was twelve. Laura feels her life burning out of control, especially when she makes a horrifying realization about BOB. We know how the story ends, and we watch as Laura is consumed by darkness leaving only the words Fire Walk with Me behind.
- Creates a wonderful tone of mystery in the first third and then delves into a dark atmosphere that is filled with dread
- Two top notch performances by Sheryl Lee and Ray Wise
- Filled with layers and themes that build on and enhance the television series
- Anyone looking for closure to the television series will be disappointed
- Anyone looking for some of the fun characters from the series will be disappointed
- This is a deeply tragic and disturbing film – not a fun time here
Judged on its own merits this is one of David Lynch’s best films. His focus on Laura Palmer and her final days is a fascinating and yet horrifying journey to take. He infuses the film with a dread and darkness that goes deeper than many other films because he uses his surreal imagery in a way that words alone can’t touch. The film is a masterpiece of using mood and visuals to create those feelings in the viewer. But it strays far from all the light and fun elements of the television series. If you don’t know that going in, the movie may feel unfair or unwanted. That said, it is nightmare journey that you won’t forget, even if you wanted to.
Scores (out of 5)
In Depth Review
|Laura's final days.|
I could go on like this, but you get the idea.
It is a difficult movie to watch and to examine. But I’m going to give it my best shot and forgive me if I end up rambling or twisting upon myself on a lost highway somewhere. That kind of thing happens when you discuss David Lynch.
|Foreshadowing the fate of Laura.|
Those with a keen memory to the first episode of the television’s series will remember that the murder of Teresa Banks was the case that Agent Cooper connected to the murder of Laura Palmer, leading him to believe this may be the start of a serial killing.
|Sam is skeptical about his coffee.|
|David Bowie arrives and it gets weird!|
|A dirty callback to the little man in the dream.|
But there is one element that does fit in the first third of the film, the mystery. Lynch follows Desmond and Stanley on their investigation giving us strange clues and pouring on those atmospheric touches that hint at further twisting paths in the depths of this world. Desmond becomes convinced that a ring that Teresa Banks had in a photo is a key clue. His search for the ring leads directly to his disappearance. And that ring plays a key symbolic role in Fire Walk with Me.
|"Don't know where. Don't know when."|
This first third of the film feels almost like it is coming from another movie or television series focused entirely on the FBI cases surrounding the supernatural events around Twin Peaks. I really like the way it plays out, feeling off kilter enough to be tied to the same world, but also weaving a new mystery and building on a bigger picture. The moods that Lynch captures here are ones of mystery and the uncanny. Watching it now, I kind of wish the move continued along these lines, with Agent Cooper attempting to find out more about these connections and how they play into the mystery of BOB and his unusual pals who live above the convince store.
|The lady with the blue rose.|
But it really is a prelude to the main story: the decay and death of Laura Palmer. That is the black heart of Twin Peaks: Fire Walk with Me and something that was also at the heart of the show. It is the portion of the film that remains longest in the memory because of the horror it delves into and the performances by the main characters in this tragic tale.
|Can't you just hear the music?|
|Moira Kelly dopplegangs Donna.|
It is difficult to talk about this portion of the film without some major spoilers so I’m warning you now, going forward I’m going to assume you’ve seen the first two seasons of Twin Peaks and know who killed Laura Palmer. Ok, you still here? Let’s go.
|Lounging and daydreaming.|
|Laura sees the man who is the mask.|
Matching her is Ray Wise playing her father Leland Palmer. Wise did a very fine job in the television series as he took the journey from grieving father, to vengeful killer, to shattered man and finally to a broken wreck of a human begging for absolution from Agent Cooper as he dies knowing that he murdered his own daughter.
|Ray Wise makes this scene very uncomfortable.|
But what is the situation. You can debate it forever, and Lynch never gives a solid answer. Is Leland Palmer a mentally unstable man, who descends into rages that cause him to rape his daughter and drive him to kill? Was this persona of BOB something that Laura constructed subconsciously so she could deal with the abuse going on at home? Or is Leland a victim too, controlled by the malevolent force that is BOB to do these unspeakable acts?
|If a little man from another place offers you a ring...|
Do. Not. Take. It!
|BOB hangs up his mask.|
The other piece of the puzzle that comes across several times in the dialogue is that BOB wants to take Laura as his next host. He’s grown tired or indulging Leland’s dark side and he want to taste that darkness as Laura. What we see of Laura in this film we understand how that darkness manifests within her. If BOB was to take and augment that further… I shudder to think.
|Last Log Lady Rites.|
The real sadness of the film is watching her fall further and further into despair. No matter what she does it only seems to make things worse. She falls further and further into the darkness and this only make BOB hunger for her more. Self destruction seems to be the only way to truly escape from all of this.
|No angel can save Laura now.|
Then there is the epilogue in the Red Room, with Laura and Agent Cooper talking. She seems to have reached some kind of acceptance of what happened to her, and at that moment the angel reappears before her, and she laughs and cries at the same time. You can read this ending in so many ways, as a final bleak FUCK YOU to Laura or as a bit of hope that her soul and her life were not wasted. I’m sure if you asked Lynch, he’d be more interested in your interpretation of the ending then telling you anything about it himself.
|Blue Laura laughing in the Red Room.|
|Your abstractions just arrived.|
|"Fire... walk... with... me... ME!"|
I can see why. In many ways it feels like a harsh slap in the face. The movie is aggressive in its approach to the darkness of the soul. It is also aggressive in its use of symbolism and abstractions. It never tells its story simply or in clear terms. It focuses on mood and atmosphere as much as narrative. It can feel insane, pretentious and just plain pointless.
Fire Walk with Me is not a fun movie to watch. It is heartbreaking and painful. As you unwrap its secrets you see more darkness in the core, and yet it is still beguiling. That is the magic of Lynch’s skill in the filmmaking. If you are in tune with how he tells stories, then the film is a journey worth taking again and again. It is fascinating and horrifying all together, just like Laura Palmer.
|The angel returns.|